Drive (2011) 720p YIFY Movie

Drive (2011)

A Hollywood stunt performer who moonlights as a wheelman discovers that a contract has been put on him after a heist gone wrong.

IMDB: 8.069 Likes

  • Genre: Crime | Drama
  • Quality: 720p
  • Size: 707.75M
  • Resolution: 1280*544 / 23.976fps
  • Language: English
  • Run Time: 100
  • IMDB Rating: 8.0/10 
  • MPR: R
  • Peers/Seeds: 21 / 229

The Synopsis for Drive (2011) 720p

A Hollywood stunt performer who moonlights as a wheelman discovers that a contract has been put on him after a heist gone wrong.


The Director and Players for Drive (2011) 720p

[Director]Nicolas Winding Refn
[Role:Irene]Carey Mulligan
[Role:Shannon]Bryan Cranston
[Role:Driver]Ryan Gosling
[Role:Bernie Rose]Albert Brooks


The Reviews for Drive (2011) 720p


A Driver without a NameReviewed byClaudio CarvalhoVote: 8/10

In Los Angeles, a mysterious driver (Ryan Gosling) is a man of few words that works as a garage mechanic for his only friend Shannon (Bryan Cranston); stuntman in Hollywood films; and driver of getaway car in heists.

One day, he helps his neighbor Irene (Carey Mulligan), whose husband is in prison, and her son Benicio (Kaden Leos) and her falls in love with her. However, a few days later her husband Standard Gabriel (Oscar Isaac) is released from prison and they meet each other in the building. Standard is pressed by the criminal Cook (James Biberi) to rob a pawn shop to pay for the protection he had in prison, and the driver decides to help him driving the getaway car. However, the heist does not work as planned, Standard is murdered and the driver discovers that they have been double-crossed by Cook. Further, the money belongs to the Mafia and now he has to protect Irene and Benicio from the mobsters.

"Drive" is a good thriller with the lead character without a name, recalling the style of Clint Eastwood in "High Plains Drifter" in the role of "The Stranger" – a man that speaks a few words only, violent when necessary that protects innocent and beloved people. The film is weirdly attractive with potential of cult movie.

The stylish cinematography discloses in an adequate pace the big picture and develops characters very well. The conclusion has an open end, a characteristic that has been forgotten by Hollywood. My vote is eight.

Title (Brazil): "Drive"

Pretentious crapReviewed byPeter OlssonVote: 7/10

Could they possibly have made any cut any longer, I don't think so. Gosling makes Keanu Reeves look like Oscar material.

Really liked when he revved through all gears, but he still goes like 35, LOL.

High speed car chase and doing a 180 going in reverse, not much left of your gear box there.

When he finally gets rid of the last person connecting him to the money, he leaves it in a parking lot? Yeah, there will sooner be Martians walking the streets than that ever happening.

Pretentious crap.

8.0 rating, that's the joke of this century. Only shows that the saying, "A million flies can't be wrong -Eat Sh.t", still holds true.

A Tense and Often Beautiful Masterpiece.Reviewed byevansweet1214Vote: 10/10

You might hear one comparing this to a Tarantino film, but leave all worries at the door, this is an absorbing and tremendously unique piece of cinema from Danish director Nicolas Winding Refn. The reason it works so exquisitely well is because the film grabs hold of you and takes you inside this often dark and dream-like LA setting. So, when the end of the film hits, you feel apart of this film, and it's there to stay.

This film also offers a Ryan Gosling like you've never seen him, speaking only when necessary, with tension and fury in his eyes. He's silent, caring, and ridiculously tough. Every line is delivered perfectly and every gesture is natural.

I saw this at the LA Film Festival on a mammoth screen with booming speakers. The music only makes this film more unique. It is catchy and synchronized perfectly with the TRULY beautiful cinematography.

This film is the BEST of its genre. I honestly cannot compare it to any other film, for it is truly that different. "Drive" is already the best of the year, because I'm POSITIVE no other film will haunt and invade me quite like this film has. This is not just a classic for its genre, but a beautiful and bold classic in general.

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